SAN FRANCISCO ROCK: A NIGHT AT THE FAMILY DOG - Ralph J. Gleason - (1970)

It's high time for a Seventies San Francisco Saturday Night Special in The Dungeon! Tonight's feature is a TV movie shot by San Francisco television station KQED, that was made by critic Ralph Gleason of Rolling Stone fame in 1970. It's not as fancy and polished as "Monterey Pop," but is still a pretty cool piece of musical history!

This show features the talents of three of the bay area's finest, Santana, The Grateful Dead, and Jefferson Airplane! The Family Dog was a production company run by a man named Chet Helms. When you see all those hippie psychedelic posters with The Doors, and Captain Beefheart, and 13th Floor Elevators mixed in with the local bands like Quicksilver Messenger Service, and Country Joe and the Fish, and Big Brother and the Holding Company (who Chet also managed) in the line up, Chet was the guy responsible. He was known as the Father of The Summer Of Love!

A 23 year old Carlos Santana is one of the highlights of the show!

The rest of the band was Mike Carrabello, Dave Brown, Jose Chepito Areas, Michael Shrieve, and Gregg Rolie! They perform "Incident at Neshabur," and the classic "Soul Sacrifice."

Next up were The Grateful Dead! Even though The Dead never had any major hit songs, each and every remaining member is worth 30 or 40 million dollars!

The original Grateful Dead were more of a blues affair that was founded and led by front man Ron "Pigpen McKernan, and did some covers like "Hard To Handle," and it's really good to see them perform here!

The Grateful Dead were in a state of metamorphosis! The band was moving into an area of psychedelic noodling that would become their signature sound, and the days of "Good Morning Little Schoolgirl" were being left behind!

And so was Pigpen! Pigpen was a drinker, and didn't take psychedelic drugs, and went from being the front man to being a backup player on tambourine and congas on most songs. He played some keyboard, but the music went beyond the whiskey haze he was comfortable with! Three years later, Pigpen would join the infamous 27 Club! It was the end of the original Grateful Dead! The rest is history! The other two songs they perform here are "I Know You Rider," and "China Cat Sunflower."

Next up was The Jefferson Airplane!

Gracie Slick looks extremely stoned throughout this entire performance, and if you asked her, and she could remember, I'm sure she would agree!

The dancers always crack me up for three reasons or another!

Most folks probably don't know that Jack Casady is one of the most talented bass players on the planet! It's his tone that sets him apart from all the others, and what a rich tone it is! Rich enough that it goes all the way back to the sounds of Little Anthony and the Imperials! Jack is currently still playing with Hot Tuna and on tour! You can check it all out on his website!

Now this is classic shit! During an instrumental break, Paul Kantner decides to smoke a cigarette! Just walking that fine line between irrelevant and irreverent!! That's the path I choose!

Grace is too loaded to realize she's blocking the shot or just doesn't care, but then they were just keeping it real! Oddly enough, art and reality can exist on the same stage!

Jorma Kaukonen has long been one of my favorite guitarists, but "After Bathing At Baxters" I think Jefferson Airplane's trip peaked. Jorma and Jack formed the great band called Hot Shit, I mean Hot Tuna, and with the addition of papa John Creach on violin, they smoked it! Here's the link to Hot Tuna's website and tour dates, because you're going to want to see them if they come anywhere near your town!

I've always like the vocal styling of lead singer Marty Balin, and his solo album called "Bodacious" is just as good as the first Hot Tuna album!

 Two records that should be in everybody's collections

When Jefferson Airplane became Jefferson Starship, I tuned out forever! It's really funny how those things happen! This concert ends with what they call a super jam, with all three bands up on stange!

This concept has since been labeled as a Clusterfuck, and rightfully so, because when you get that many people on one stage, and you really didn't rehearse, it's just pretty much a wall of something between noise and music, but not even really in a good way!

There's really no fair comparison, because "Montery Pop" was a film about a filmed music festival, and this is a show about music, or, if "Montery Pop" would have been filmed in this more simpler form, it would have been a lot better! It's a San Francisco musical historian's dream, a night to remember!

THE TELL-TALE HEART / Metro-Goldwyn-Mayer Short - 1941

Today we gots a great little short for you... It's a story by Edgar Allan Poe - A young man is being dominated, insulted, and mistreated by the older man whose lodgings he shares. Finally one night, he enters the older man's room and kills him, afterwards though, the young man grows increasingly nervous and he becomes convinced that he can still hear the dead man's heart beating!

It stars Joseph (MR. MOTO TAKES A VACATION) Schildkraut as the Young Man, Roman (THE HITLER GANG) Bohnen as the Old Man, Oscar (THE BRUTE MAN) O'Shea as the First Deputy Sheriff and Will (SLEEPY LAGOON) Wright as the Second Deputy Sheriff.

It starts with the young man weaving on a loom. He seems unhappy to see the old man return for the evening. The first thing the old man does is slap him. I personally wanted to kick the old jackass in the nuts!

The young man is totally depressed over the way he's being treated...

Before the old man goes to bed that night, he lays into the young man one last time. Later, the young man pays the old SOB a little visit.

He shines a light on the old man, then, attacks and strangles him!

After he has put the old man under the floor boards, he starts hearing a beating heart! He stops the clock but still hears the beating.

The next morning, two sheriffs show up looking for the old man, who was supposed to be at an auction today, they're there checking to see if he was ill or something...

Inside the house, the young man is acting extremely nervous. One sheriff is tapping on the table (which sounds like a heart beat) and the young man stops him!

Oh no, he still hears that damn heart beat!..

The young man is losing it, he kneels over the old man, the sheriffs put two and two together, and ...

They locate the old man under the floor!

Finally, the heart beats stop and the young man is relieved and ready to leave with the sheriffs! Tune in tomorrow for something cool from Eegah!!

MONTEREY POP - D.A. Pennebaker - "Yeah!" (1968)

 The Monterey Pop Festival of 1967 is arguably the best concert of all time! It wasn't as big or crowded as Woodstock that happened two years later, and nobody got killed in front of the stage like at Altamont. The lineup was a superlative cross cultural amalgamation of musical talent that included some of the first major appearances in America by Jimi Hendrix and The Who, and look at the poster, you could have gotten in for $2.50, not $250.00. Any festivals of the last 50 years, whether it be Coachella or Glastonbury wouldn't even exist without Monterey, and without the proper historical perspective, you can't even compare the music, because this was groundbreaking and earth shattering stuff!
So, Welcome to The Dungeon, let's rock!
 

Thank the Lord somebody made a documentary, because this was a real event, but therein lies the rub! The Director is D.A. Pennebaker, probably the best music documentarian of all time, and this film is true art, but now that 50 years have passed, I just have to say that I think it's a real shame there wasn't more footage of the bands.
 

 Let me break it down! "Monterey Pop" is 78 minutes long, and out of that 78 minutes, probably at least 15 or 20 minutes is shots of the audience or other crap!

There were quite a few musicians who never made it past the cutting room floor, and some very good bands were left out completely, so it makes for a nice arty film, but as an historical document, it's kind of a failure!  I would have much rather seen some footage of Lou Rawls or Buffalo Springfield than some hippie chick's feet! D.A. apparently has a thing for big face closeups and shots of feet!

The Monterey Pop Festival went on for three days, and on Friday, the performers were The Association, The Paupers, Lou Rawls, Beverley ( I actually have no recollection of this person ever), Johnny Rivers and......... Eric Burden and the Animals,who are recorded doing a cover of The Rolling Stones' "Paint It Black," instead of one of their own cool originals like "Please Don't Let Me Be Misunderstood," or "We Gotta Get Out Of This Place" which they didn't perform!

 Simon and Garfunkel closed out Friday night's show, and sent everybody home "Feelin' Groovy!"

 Saturday was heavily dosed with almost half of the bands coming from the bay area, but the opening group was a blues band from L.A. called Canned Heat.....with a very young Bear....

 ....and The Owl performing a rollicking "Rollin' and Tumblin'"`

Next up was Janis Joplin and Big Brother and the Holding Company doing a rousing version of "Ball and Chain!"

 An interesting side note is that this footage was shot on Sunday, because the story goes something like Big Brother didn't want their Saturday performance filmed because of some kind of disagreement, but the crowd liked them so much, they were asked to come back on Sunday to do two songs, just so they could film it! Their performance led them to be signed to Columbia Records.

 Perennial Dungeon favorites Country Joe and the Fish were up next! For some reason I can't understand, D.A. chose the song "Section 43" instead of either of the two best songs ever recorded by anybody, "Not So Sweet Martha Lorraine," and "I-Feel-Like-I'm-Fixin'-To-Die Rag," and that's almost criminal! Believe it or not, two years later, Country Joe McDonald would make a straightforward country album called "Tonight I'm Singing Just For You!"

 Al Kooper, The Butterfield Blues Band, Quicksilver Messenger Service, Steve Miller Band, and The Electric Flag rounded out the afternoon, and were all unfortunately left out of this movie!

The Saturday evening show continued with Moby Grape (left out), another real favorite of mine, Hugh Masekela (seen here), The Byrds, and Laura Nyro!

 And Jefferson Airplane!

Another thing I don't understand is that the performances in the movie are not in order! The movie starts off with The Mamas and the Papas, but they were actually the closers! Artistic license I guess, but it's kind of weird when you think about it!

 Saturday night's show closed with Booker T and the M.G.s, followed by Otis Redding!
 

 Otis was already well known in the black community, but this was his first exposure to a large white audience, and he delivers a dynamic performance beyond compare! A couple of months later, the legend would die in a small plane crash, and a couple of months after that, "Sittin'  On The Dock Of The Bay" was released and would become the first ever posthumous number one hit!

Sunday, the last day the show started with Ravi Shankar in the afternoon! Back in the 60's Ravi was everybody's love child, and his musical performance is a full seventeen minutes long, and that is truly sinful since we don't get to hear a second of any of these Sunday performers:

 Blues Project, The Group With No Name, Buffalo Springfield with David Crosby instead of Neil Young who couldn't make it, and the Grateful Dead!

 Later that night, The Who literally exploded with a destructive performance unseen before!

 By some miracle of God, Keith Moon managed to live until 1978. He was 32 years old!

Now it was Jimi's turn! 

And of course, this was the show where Jimi notoriously set his guitar on fire, but it wasn't the first time he pulled this stunt. A few months earlier, he did it for the first time, and actually had to go to the hospital because his hands got burnt!

I just like this picture of Jimi manipulating the whammy bar on top! In 2012, the charred remains of his guitar were sold for $288,493.00, but it wasn't this one because they switched them out!

They really probably should have ended the show there, but I guess they needed to get everybody to mellow out after The Who and Hendrix sets, so they finished with The Mamas and the Papas with Scott McKenzie. They claim Mama Cass was over 200 pounds, but she looks bigger than that to me. Cass died in 1974 from a heart attack!

You can read the whole set list (almost) and a whole lot more on this Wikipedia page!

And while you're there, why not make a small donation? They could use it!

Other bands who would have made the event even better, but didn't sign up for lots of different contractual, legal or personal reasons were, LOVE, who didn't think it was an event important enough to travel to (But now I've read they wern't even invited), The Mothers Of Invention wouldn't sign because supposedly Frank Zappa didn't want to share the stage with any San Francisco bands. The Beach Boys (You can see they were even on this early poster), Dionne Warwick, and Captain Beefheart and his Magic Band along with many others were scheduled to also appear but didn't for various reasons! Still, what an amazing array of talent! It's hard to criticize this film, but just like almost everything in life, it could have even been so much better, at least for a fan of music! I guess I just need to break down and buy the three disc set from Amazon for $35.00 that includes two hours of performances by a lot of those musicians who didn't make it onto the original reels, or start searching YouTube! (Yeah! That worked!)