This week's Saturday Night Special is a movie from 1960 called "Date Bait."
"Date Bait" - Kind of like a combination of Jail Bait and Date Rape 1960's style!
What the heck, the words rhyme, so it doesn't really need to make sense.
What the heck, the words rhyme, so it doesn't really need to make sense.
Check out the license plate, it looks like it was hand drawn! I found it interesting that both the two main guys in the movie don't drive hot rod Chevy's or Fords, but drive MG's instead.
So the kids are all down at the club having a good time when psycho drug addict Brad decides to join the party!
You know when you're just groovin' and dancin' with your girl, it's always a bummer when some weirdo asshole like Brad tries to cut in. The cute couple being hassled is Gary Clarke as Logan and Marlo (Dragstrip Riot) Ryan as Sue.
Time for big brother to show up and bail out Brad one more time!
Gary Clarke should be your hero because the three movies he was in prior to "Date Bait" were "Dragstrip Riot," "How To Make A Monster," and "Missile To The Moon." He was also a regular on the TV show "The Virginian" for 63 episodes. If I did the math right, Mr. Clarke will be 87 years old this years, and believe it or not, has a short and a TV movie in production this year.
Have you ever wondered why actors change their names? Gary Clarke is a good example. He was born Clarke Frederic Lamoreaux!
Have you ever wondered why actors change their names? Gary Clarke is a good example. He was born Clarke Frederic Lamoreaux!
Years ago I won something like this at a Walther League meeting, but mine wasn't full of heroin!
Mine was a little cardboard box with a clown on the front that said "Jerk In The Box," and when you opened it, there was a mirror inside that exposed who the real jerk was!
And while we're on the subject of jerks, if you looked it up in the dictionary, there might be a picture of Brad as an example! Dick Gering had the role of Brad. With only 13 credits to his name, Dick was in some TV shows like "Mike Hammer," and "Alfred Hitchcock Presents."
1960's L.A. with a classic Studebaker parked out front!
Sue's parents are uptight social racists, as I like to call them. The proper term is 'Classism,' or people who are prejudiced against someone not because of race or color, but merely because of social position! In other words, they don't like their daughter Sue going out with Logan because he's from the wrong side of town, even though he drives an MG!
Brad's badass big shot brother has to sit at a midget table which doesn't make him look like such a big tough guy!
Life is pretty crappy these days but the air was literally this bad in Los Angeles back in the 1960's from smog!
There's still enough ime to cut a rug!!
Logan and Sue can't take it any more and decide to run off to Las Vegas to get married, even though they are both underage. This is not going to make her parents or psycho Brad very happy.
Sue emerges from the gas station bathroom all decked out and ready to tie the knot!
The happy couple gets hitched but can't find a place to stay because they lack I.D.'s
I just had to throw in this classic Mary Kaye Trio album cover!
Logan and Sue finally get a room at the "Motel Glen Capri."
Upgraded room has a radio in it, but you still have to put a quarter in if you want it to work, and no free Wi-Fi!
Sue's a little trepidatious about her first night in the sack with her new husband, but she's glowing the following morning!
All you needed was a couple of Cokes, a cigarette machine, and a juke box, and 1960 was like paradise!
Brad is such a junkie loser, but don't worry, he gets what he deserves, and I'm not talking about treatment!
Associate Producer Nicholas (Missile To The Moon, Frankenstein's Daughter, The Astro-Zombies) Carras is also responsible for the cool soundtrack, and the title song was written by John Neel and Oscar Nichols, was performed by Reggie Perkins, and released on Raynote Records.
Associate Producer Nicholas (Missile To The Moon, Frankenstein's Daughter, The Astro-Zombies) Carras is also responsible for the cool soundtrack, and the title song was written by John Neel and Oscar Nichols, was performed by Reggie Perkins, and released on Raynote Records.