RABID - “All The Rage” (1977)

Greg Goodsell here! This h’yar film is known as RABID, aka RAGE, as this opus was known in French-speaking Canada. 

This was director David Cronenberg's follow-up to his international horror hit THEY CAME FROM WITHIN in 1975, and would capitalize on his theme of "body horror." 

Here we go -- this is the main reason we remember RABID today - porn superstar MARILYN CHAMBERS! From being the model that adorns the "Ivory Snow" detergent box, Chambers would rocket to stardom in the Mitchell Brothers' BEHIND THE GREEN DOOR in 1972! RABID was her bid to court more mainstream roles, but it failed -- she went straight back into starring in XXX-rated features well into her fifties! We imagine the adult film industry didn't treat Marilyn all that well -- her daughter discovered her dead several days after the fact in her trailer in Santa Clarita, aged only 56 years old in 2009.

In typical Cronenberg fashion, he names this plastic surgery clinic after something not many people know about. If you look up the word "keloid," this would be the absolute LAST thing to name your plastic surgery clinic!

Here is Howard Ryshpan as Dr. Dan Keloid, the head of the clinic. Those bushy eyebrows signify that he’s up to no good. One of the things I'm still taken about this picture is that it is so SEVENTIES it squeaks!

Long story short, Marilyn/Rose is out motorcycling with her boyfriend when she gets into a terrible accident and suffers terrible burns! Good thing that plastic surgery clinic is right nearby -- or is it?

Yet another Cronenberg-ian "in-joke." This fey patient is in fact the star of one of his first films, CRIMES OF THE FUTURE (1970), Ronald Mlodzik! This under-utilized thespian would also star in Cronenberg's THE CAME FROM WITHIN (1975) as the slippery apartment manager. Mlodzik only has one line but it provides a much needed laugh --"Can't they put a sheet over her or something?!" he lisps!

All righty then, the Keloid Clinic does some emergency skin grafting on Rose. Reportedly a snippet of dialogue explaining why she has a vampire-like syringe in her armpit is rationally explained away -- but it was edited out at the last minute. It probably wouldn't make any sense either way.

Here is the bad boy. If you think that it looks like something else, it's intentional, Cronenberg says.

Marilyn wakes up in the hospital after a nightmare –

 -- a male patient next door runs in to comfort her –

-- and WHAMMO! She gets them with the vampire-like syringe in her armpit! Note the blood on the robe.

That swinger Marilyn swings all ways, so she sneaks out of the clinic at night and tries some minor bestiality with her armpit thingy on a cow in a barn! It doesn't work, as she strictly feasts on human blood.

Here's the thing: When Marilyn feeds upon her victims, they usually don't die -- they go on to become slavering, rabid maniacs intent on infecting others! Such is the fate of the randy farmer in the barn who interloped on Marilyn's humble attempts at quasi-bestiality!

Marilyn then returns to the clinic, and pursues some Sapphic action in the hot tub.

The brunette declines the love that dare not speak its name, there is a tussle, and Marilyn tosses her into a refrigerator! AAAAAAHHHHHH! One of the most searing images of 1970s horror!

Here is venerable character actor JOE SILVER, whose voice sounded like a 33 rpm record played at 16 rpm! He has a very tiny role, and the fate of his baby son is -- uh -- never mind.

Leaving the clinic, Marilyn is fixing to hit the big city -- to spread some more of her special kind of lovin'.

Soon, everyone is becoming infected, like this unfortunate Caknuckle-head policeman, gunned down while foaming at the mouth!

In a masterstroke of cleverness, Marilyn now stalks unwary males at a PORNO THEATER! Since this film is about a woman giving her partners the what for, and Marilyn Chambers was trying to leave her fleshy past in the past, this scene is ironic and highly self-referential -- long before Quentin Tarrantino had his driver's license! The movie on the screen is MODELS FOR PLEASURE -- and since this film is shot in Canada -- the movie must be strictly soft core!

AAAAAAAAAHHHH! Another shot of the syringe thingy! It's only onscreen for seconds, so get a good look!

Good night, sweet Marilyn! You probably didn't think it would end well, and it doesn't! Cronenberg would enter the realm of the hoity-toity and leave science-fiction and horror for good later on, but this flick has EVERYTHING. Check it out -- and if Cronenberg's THEY CAME FROM WITHIN is a NIGHT OF THE LIVING DEAD variant, he would continue to steal from the best -- this is obviously based on director George A Romero's THE CRAZIES (1973)! Men in white contamination suits would become just as horrific as any zombie or vampire in this post-industrial society!

ONE MILLION B.C. / Hal Roach Studios - 1940

It's Monsterous Monday with Tabonga, here at The Dungeon!.. We gots an ambitious little flick from the LITTLE RASCALS gang that played quite a bit on TV in the fifties, stars Victor Mature and Lon Chaney, Jr. Lon was unable to use his own make up creation for his character because of Cosmetician's Union rules. Parts showing the dinosaurs fighting, etc., were reused in VALLEY OF THE DRAGONS in 1961.

Eegah!! sent over a musical soundclip from this flick, sooooo, you can push the big red 'GO' button there next to the invisible force field, NOW, Ralphie The Tarantula! Here's our audio offering for... ONE MILLION B.C!

The movie begins when a group of hikers seek shelter in a cave during a storm, and, it just so happens that there's an archaeologist already in the cave, so, he tells them a story he perceived from drawings on the walls made by ancient cavemen!

The Story's about Tumak, member of the prehistoric Rock tribe. After he's exiled from his tribe, he's injured and falls into a river where he makes his way to the peaceful Shell tribe. There, he meets Loana, who nurses him back to health.

There are plenty of Mastadons and giant lizards to keep the action moving briskly along. Again, though, those poor reptiles were basically tortured in a lot of the scenes, in the name of realism, sad...

Hey, the very first whack-a-mole!!

Tumak is never without his trusty spear!

A classic portrait of Dungeon pal, Lon!

What prehistoric flick wouldn't be complete without an over-active volcano?!..

In order to kill a dinosaur, you have to be smarter than a dinosaur, so, be vewy vewy quiet, ha-ha-ha-ha-ha!.. Oh, and, walk this way.

Now, there's plenty of giant lizard meat for everyone, dig in!!

A textbook example of a storybook ending.

L'UCCELLO DALLE PIUME DI CRISTALLO - Dario Argento/Ennio Morricone - "Point Of Terror" (1970)

Howdy Y'all and welcome to The Saturday Night Special down here in The Dungeon!

Any regular readers of this here blog will know that I have given up some time ago on Giallo flicks, but that I have never given up on the talents of Dario Argento, and tonight's special feature illustrates precisely why!

There's no escaping knives and violence in Giallo films, in fact those are most likely the hands of the master himself,  Dario Argento! The music in "L'uccello Dalle Piume Di Cristallo" was composed by another Italian master in his field, the always classic Ennio (Good, Bad, and The Ugly) Morricone! 514 title credits to his name, and Maestro Morricone is still working it today! Freakin' Incredible!! The equally amazing Bruno Nicolai is the cat in charge of the conducting! That is an incomparable combination of talent!

Italian-American actor Tony Musante had his own TV series in 1973-74 called "Toma" where he played Detective David Toma for 23 episodes! He was a school teacher before becoming an actor!

Tony has the part of  Sam Dalmas, and Sam has just witnessed a grisly murder in an art gallery behind a glass wall that he is helpless to do anything about!

Excedrin Headache # 13!

Just stare at it for a while!

The advances in computer technology today are so far beyond amazing!!!

Pretty damn sexy without showing a Helluva lot I'm sure you'll agree!

"L'uccello Dalle Piume Di Cristallo" was Dario Argento's premiere directorial outing.......

.....AND it is anything but a slack fest!

For my money, this is just a spectacular shot!

Sam Dalmas has finally got a lead on a strange character in a yellow slicker!

He follows him, and when he gets to the final destination and opens up the elevator door.........

............He finds himself knee deep in some kind of weird convention where everybody is dressed the same!!!

What's a guy suposed to do????

More investigation leads him to the local perv's palace!!

A great shot, so simple, but so, so very effective!!!

Italian phone booth circa 1970!

This is nothing more than an awesome composite fade shot!!

What you got going on there home boy??

Atmospheric and unpredictable,"L'Uccello Dalle Piume Di Cristallo" is indeed a film worth checking out, and my recommendation is that you do!!!